Light. Sort of silly but that's exactly how Shakespeare planned the play of charm, a play so artificial that no one could be expected to take it seriously. The Bard knew audiences prefer, above everything else, to be gently and good-humoredly amused. Of course, it's possible to raise an eyebrow at the implausibility of most of the characters and especially the lovely Rosalind, who "hides" her beauty as a man--wink wink--and goes quietly into the night and into the Forest of Arden cross-dressed as a gentleman to protect her exiled BFF.
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Sure, in AYLI the amazingly famous quotes are tucked therein including, "All the world's a stage, and all the men and women merely players," and the lesser quoted but one of my favorites: "Do you not know I am a woman? When I think, I must speak" ( insert smiley here). But with AYLI, Bill lets down his ironed and curled hair and loosens his laced back jeggings. Entwined with a sprinkle of angst and squirmy scenes like the novel Twilight and its vampires who sparkle, all the blemishes throughout are calculated to produce smiles of a happy reader and audience, but forsake me not. I'm not comparing the luminous Bard's words with those of Stephenie Meyer's. I am, however, comparing the intent: to compel and entertain, and both do this well.
Perhaps we have something to learn from both famed scribes; as writers, playwrights and authors, we're all one in entertaining the masses. But Bill S. dazzled us first, and I think he did it best.
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